Umbrellas and parasols in the 18th century
The Annals of Philadelphia provides a description of the use of parasols and umbrellas in the 18th century:
In Mrs. Shoemaker’s time, above named [having died in 1825 at the age of 95], they had no knowledge of umbrellas to keep off rain, but she had seen some few use quitasols — an article as small as present parasols. They were netirely to keep off rain from ladies. They were of oiled muslin, and were of various colours, from India by way of England. They must, however, have been but rare, as they never appear in any advertisements. Their name is derived from the Spanish.
Doctor Chanceller and the Rev. Mr. Duché were the first persons in Philadelphia who were ever seen to wear umbrellas to keep off the rain. They were of oiled linen, very coarse and clumsy, with ratan sticks. Before their time, some doctors and ministers used an oiled linen cape hooked round their shoulders, looking not unlike the big coat-capes now in use, and the ncalled a roquelaue. It was only used for severe storms.
About the year 1771, the first efforts were made in Philadelphia to introduce the use of umbrellas in summer as a defence from the sun. They were then scouted in the public Gazettes as a ridiculous effeminacy. On the other hand, the physicians recommended them to keep off vertigoes, epilepsies, sore eyes, fevers, &c. Finally, as the doctors were their chief patrons, Doctor Chanceller and Doctor Morgan, with the Rev. Parson Duché, were the first persons who had the hardihood to be so singular as to wear umbrellas in sunshine. Mr. Bingham, when he returned from the West Indies, where he had amassed a great fortune in the Revolution, appeared abroad in the streets attended by a mulatto boy bearing his umbrella. But his example did not take, and he desisted from its use.
We get a better picture of umbrellas (and attitudes toward their usage) from a story in the Virginia Gazette regarding a conversation that took place in Philadelphia in August 1771:
A GENTLEMAN of Diſtinction, from a ſouthern Colony, happened to dine in a large Company a few Days ago, and hearing ſome Perſons complain of the intenſe Heat of the Sun asked why the Gentlemen in this City did not fall upon Methods of rendering it more tolerable, and in particular why they did not uſe Umbrellas to ſhade themſelves. One of the Company expreſſed his Surpriſe at this Speech, and ſaid that for his Part he thought them very ridiculous, that a good large Hat would anſwer equally well, and that they looked very effeminate.
To this the Gentleman very pertinently replied, "all our Notions of Propriety and Impropriety are formed by Cuſtom ... As to the Umbrellas you exclaim againſt, however ridiculous they may appear to you, Sir, or to any Gentlemen in Company, they are looked upon as a graceful Part of Dreſs in many Countries, and are often carried upon this Account in thoſe Seaſons of the Year when they are in ſome Meaſure unneceſſary. In India, and in moſt parts of Aſia, a Man would as ſoon go out of his Houſe without a Shirt as without an Umbrella. In Italy, France, and Spain, they are in every Body's Hands. In the Weſt India Iſlands, and in moſt of the ſouthern Colonies, they are ſo common that none who can afford them ever go without them."
"But" (continued the Gentleman) "I am far from recommending them as Appendages to Dreſs, or because they are ornamental. Their great Uſefulneſs alone would overbalance all that could be ſaid against their Propriety, even ſuppoſing we had loſt that Part of the Argument. They are wide and light, and afford a large Shelter from the Sun. They likewiſe afford a Shelter from thoſe Summer Showers which are ſo frequent in theſe Climates, and are much to be preferred to great Coats and Rockeloes, which do more Harm by the Heat they occaſion than the Rain would have done."
"Their Colour, moreover (being generally green) is very friendly to the Eyes. Physicians tell us that a long Train of Diſeaſes follow from what they call Inſolation, or long Expoſure to the Heat of the Sun; ſuch as Vertigoes, Epilepſy, ſore Eyes, Fevers, &c. Theſe are all obviated by the uſe of the Umbrella."
"But you ſay, Sir, that Hats will anſwer all theſe Purpoſes. No ſuch Thing. Cuſtom and Frugality have conſpired to die theſe black, the worſt Colour in the World in hot Weather. Beſides,they are heavy, and too ſmall (let their Brims be ever ſo broad) to afford a complete Shelter from the Rayd of the Sun."
"You ſay farther, that they look effeminate; the Ladies uſe them only. The Ladies wear Shoes; let the Men therefore go barefooted. The Ladies defend themſelves by various Means from Cold, Rain, Thunder, Fire, &c. Let the Men then abandon themſelves to the Rage of each of theſe terrible Evils, and ſcorn to look effeminate by guarding againſt them. Abſurd Reaſoning! Are not the Men expoſed more to the Sun than the Women? Does not their Buſineſs call them from home at all Hours of the Day? Are not their Lives of equal (I ſhall not ſay of greater) Importance to their Families, and to Society, with the Womens?"
"If all theſe Things are true, then I ſee no Reaſon why the Gentlemen ſhould not wear Umbrellas as well as the Ladies." The Gentleman ſilenced his Opponent with this Speech. The whole Company aſſented to what he ſaid.
A verse published in the Independent Gazetteer in 1784 suggests that not all Philadelphians were convinced by this logic, however.
Extant parasols and umbrellas from the 18th century
Met C.I.56.8, France, c. 1675-1725
Met C.I.55.43.37, Italy, early 18th century
London Museum 2012.51/1, parasol cover made of “ivory silk moiré embroidered with silver thread in leaf, flower and steam motif with a stylised scallop edge,” c. 1710-1750
MFA 50.3131, America; “Green damask with large-scale floral design; cut scalloped edge; faded on top; straight black wooden handle with knob at end; ivory knob on top; said to have been made from Hannah Emerson’s wedding dress, about 1720.”
MFA 50.3204, green cotton parasol with “straight wooden handle with round knob at end; metal tip,” America, late 18th century
Rijksmuseum BK-1967-92, an umbrella, c. 1770-1780
An elegant parasol of yellow silk with a woven blue border, c. 1785
Met 2009.300.2581, America, c. 1790; “Of particular interest are the whalebone rather than metal ribs and the hand-made bone or ivory ribs which vary in shape.”
A parasol of silk taffeta with an ivory handle, end of the 18th century
Augusta 8.4836.187.157, blue umbrella & case, c. 1790-1810; “Umbrella with dark blue-green cotton cover, striped with beige around edges, ivory or bone points, metal framing, baleen canopy ribs, tortoise colored crooked handle, possibly horn, brass cylindrical slide and tip, stenciled green and tan cotton drawstring case”
MFA 99.664.99, possibly made in England, used in Lexington, Massachusetts, late 18th or early 19th century; “Green silk umbrella, brass ferule with ring, ten whale bone ribs with brass tips, wooden stick with turned handle, ‘AR’ carved in handle.
Met 46.29a–c, Italy, 18th or 19th century
18th century depictions of parasols and umbrellas
The Return from the Hunt by Joseph Parrocel, c. 1700
Fille de qualité, c. 1700
Vertumnus and Pomona by Jean Ranc, 1710s
Marie Leszczynska, Queen of France by Alexis Simon Belle, c. 1730
Dolo on the Brenta by Canaletto, c. 1730-1735
Brother Philippe’s Geese by Nicolas Lancret, c. 1736 (see also Les oyes de frère Philippe)
Jan Pranger and an enslaved servant by Frans van der Mijn, 1742
Portrait of a young woman (Frau von Buttlar?), c. 1746-1755
Young woman with a parasol by Johann Gottlieb Glume, 1749
Elisabeth Dorothea Juliane Freifrau von Buddenbrock by Antoine Pesne, c. 1750
The Musical Contest by Jean-Honoré Fragonard, c. 1754-1755
Wilton House from the Southeast by Richard Wilson, c. 1758-1760
A Street Show in Paris by Gabriel-Jacques de Saint-Aubin, 1760
A Whole Length of a Lady of Neturrio, a Sea-port in the Pope’s Territories by George James, 1762
Drawing of a lady with an umbrella by François Boucher
Mary Toppan by John Singleton Copley, 1763
The customer of a shoe seller in the Cries of Danzig, c. 1765
Paul Sandby sketching by William Parry
The game of checkers by Michel Barthélemy Ollivier, c. 1765-1770
A French Woman coming from Market, 1771
Mon.r Le Medecin, 1771
Cris of Paris: Parapluie là, 1774-1775
La Fête à Saint-Cloud by Jean-Honoré Fragonard, 1775-1780
El Quitasol by Francisco de Goya, 1777
Les delices de la maternité by Moreau le Jeune, 1777
Rendez-vous pour Marly by Moreau le Jeune
This is Something New, 1777
Galerie des Modes, 13e Cahier, 2e Figure: Robe à la Versailloise de Gros de Naples, 1778 (also here)
Jolie Femme en deshabillé galant, 1778
Misss. Dumplin Ducktail and Tittup return’d from watering, 1778
Polonaise de toile bleue et blanche vermicelée, 1779
Negroes Dance on the Island of Domenica, 1779
La promenade au Bois de Vincennes
Gesellschaft im Tiergarten by Daniel Chodowiecki, 1780
Linen Market, Dominica by Agostino Brunias, c. 1780
Fashionable men and women by Johann August Rossmäßler, c. 1780
The Opening of the Carnival at Rome by Paul Sandby, c. 1781
A lady and her children relieving a cottager by William Redmore Bigg, 1781
Beauty in search of knowledge, 1782
A Meeting of Umbrellas by James Gillray, 1782
Portrait of the wife and son of the artist by Johann Heinrich Wilhelm Tischbein, c. 1783
Le mercure de France, 1784
April and July by Robert Dighton, c. 1785
A View of the Parade at Bath, c. 1785
Maria Elisabeth van Swijndregt by Rienk Jelgerhuis, 1785
Gallant Conversation by Niclas Lafrensen, mid-1780s
Rowlandson and Wigstead travelling in France by Thomas Rowlandson, c. 1785-1789
The Rev. and Mrs. Thomas Gisborne, of Yoxhall Lodge, Leicestershire by Joseph WRight of Derby, 1786
Cabinet des Modes ou les Modes Nouvelles, March 1, 1786
A bouquet seller, 1786
The Masculine Gender, 1787
La visite rendue (The Visit Returned) by Louis-Léopold Boilly, 1789
Joseph Nollekens and Mrs. Nollekins by John Thomas Smith
Woman seated on the ground, holding a closed parasol by Johann Christian Klengel, 1790s
A couple under a parasol in a garden by Jean-Baptiste Mallet, c. 1791-1793
Bethnal Green. Hie away Juno!, 1792
Alida Henrica Sophia de Meester by Rienk Jelgerhuis, 1792
A couple embracing under a parasol while a girl sketches in the garden by Jean-Baptiste Mallet, c. 1791-1793
Fashion engraving from 1793, Journal des Luxus und der Moden
Morning dresses, September 1794, from the Gallery of Fashion
Major General Alexander MacKay, 1796
Couple with Parasol on the Paseo by Francisco de Goya, 1796-1797
The Liliputan Satirists by Isaac Cruikshank, 1797
A Visit to the Boarding School by Isaac Cruikshank, 1797
A Maiden Ewe, Drest Lamb Fashion by Isaac Cruikshank, 1797
July by Robert Dighton
Covent Garden Market by Thomas Rowlandson, c. 1795-1810
Pride and exaltation in a sedan chair by Isaac Cruikshank, 1797
Ann Denny, Mrs Thrower Buckle by Charles Catton the Elder
Eccentricities, Monstrosities, or Bell’s and Beau’s of 1799
The Miseries of the Country by Thomas Rowlandson
Feeding the Ducklings by Thomas Rowlandson
Captain Barclay's Rally Match - The Finish by Thomas Rowlandson
Scene outside the Half-Moon Inn by Thomas Rowlandson
The Picnic Party, or View on Oxmoor by Thomas Rowlandson
Study for dinner in Mote Park, Maidstone, after the Royal Review of the Kentish Volunteers on 1st August 1799 by William Alexander
A large market-umbrella used by La marchande de beignets
Advertisements & trade cards for umbrellas & parasols
Umbrella usage can also be tracked through newspaper advertisements for lost, stolen, or found umbrellas, such as:
“AN UMBRELLA was found, ſome time ago, upon a ſtall in the market.” (The Pennsylvania Evening Post, October 26, 1775)
“A Green Silk UMBRELLA was found on the Broad Road, a few Miles below Dorcheſter” (The South-Carolina Gazette, June 23, 1777)
“A GREEN ſilk UMBRELLA was found on Friday the 2d of October between Colcheſter and Fredericksburg” (The Virginia Gazette, October 16, 1778)
"An UMBRELLA WAS taken (ſupposed to have been ſtolen) on Sunday evening laſt ... It is a green ſilk Umbrella, of the middle ſize, with a red morocco top and hooked ivory head." (Philadelphia, The North American, October 1797)
© The Trustees of the British Museum. Shared under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) licence.
The South-Carolina Gazette; and Country Journal
December 13, 1768
The Bath Journal
November 27, 1780
The North American
May 16, 1789
The Gloucester Journal
December 21, 1789
The Independent Gazetteer
October 18, 1796
The Worcester Herald
May 18, 1799
Berrow’s Worcester Journal
August 1, 1799