18th Century Pudding Caps
Portraits indicate that the pudding cap was worn over a baby’s cap; a colorful silk cap sometimes appears between the white cap and the pudding cap.
While the modern costumer’s term for this style of headwear is “pudding cap,” the term “pudding” or “quilted pudding” is more common in 18th century documents, such as The Villager’s Friend and Physician (1800):
The disease which I shall next speak of, is often, in its first stage, mistaken for the effect of worms. Dropsy of the brain, or Watery Head, may be suspected when a child appears uncommonly heavy and dull, complains of pain in the head, has its sleep disturbed with alarming dreams, reluctantly moves its head from the pillow, or attends to surrounding objects; and is affected with frequent sickness and slight fever …
This complaint is frequently occasioned by the falls on the head, which children are exposed to on first going alone. Guard their heads, therefore, at this time, with the old-fashioned headdress for children, a quilted stuffed cap, or pudding.
“Quilted puddings” appear in Catherine Rathell’s advertisements in the Virginia Gazette in the early 1770s, among “a large Assortment of Millinery and Jewellery” imported from London to be sold at her shop in Williamsburg.
Additional Resources
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Pilgrim John Howland Society: Hey Pudding Head
What Clothes Reveal: The Language of Clothing in Colonial and Federal America
The Dress of Old-Time Children in Two Centuries of Costume in America, 1620-1820
Mrs. Hancock’s Pudding Cap, Part One and Part Two
Extant pudding caps
Rijksmuseum BK-NM-3009, a pudding cap in silk velvet
Colonial Williamsburg 1971-1391, a child’s padded cap or pudding in rust-colored silk velvet and silver metallic fabric, probably made in Italy c. 1680-1730
Pudding cap made for a doll, 18th century; “This pudding is constructed of bright red leather padded and quilted into thick bands that circumscribe the head and bands that meet at the top; the edges are bound in red silk with a red silk tie at the crown; it is lined in beige leather.”
Colonial Williamsburg 1971-1383,1-2, France, c. 1730-1750
Child’s silk velvet pudding, France
Historisches Museum Basel 1915.37, goat leather with silk ribbon, probably Basel
MFA 38.1324, France, damask padded cap
Met C.I.39.54.4, Switzerland
Manchester 1980.198/2, c. 1750-1770; “Very badly degraded pale blue figured silk with silver thread embroidery and silver lace.
Cap on foundation of soft thick paper pleated and tacked with large stitches into shape. Front edge of cap is wired to shape. Cap is lined with a coarsely woven brushed cotton. Cap is covered with blue silk (very degraded) outlined in bobbin lace. Each section has silver embroidery in design of palmettes and foliage, with some silver spangles. Silver embroidery is padded with vellum.
Circlet headband, padded with soft yellowish fibres, lined with ivory silk over a paper foundation. Outside of band covered with silk damask, with silver thread floral embroidery fore and aft. Ear pieces have silver embroidery and unravelled silver lace. Each side has cut end of ivory silk ribbon, presumably a chin tie.”
Kerry Taylor 17 Jun 2025, Lot 518, “A rare infant’s pudding cap, second half of the 18th century of pale green silk, the headband formed from quill-like pleats of spotted silk with points to front and back, with triangular pleated side panels, edged in silver strip bobbin lace, with four attached pale green silk ribbons that form a rosette-like bow to the crown, lined in natural linen, and edged in pale green silk ribbon”
MFA 43.1839, child’s head protector in lace and blue silk
GNM T2833, silk with metal thread and linen lining, reinforced with paper, c. 1770
Colonial Williamsburg 1952-55, England, c. 1770-1785; “Quilted cotton velvet bound with silk ribbon, horsehair stuffing, leather lining”
V&A B.81-1995, Britain, c. 1775-1800; “The ‘pudding’ consists of a sausage-like horseshoe-shaped roll of glazed pink cotton, which has a padded white linen inner stiffened with wire and card, and a black petersham ribbon tying string at each end. Four lightly padded triangular flaps of self fabric, stiffened with card, are attached to the roll at regular intervals (partly covering the crown of the head), two of them fastening together over the head with tying strings of broad black silk ribbon. The edges of the triangular flaps and the top seam-line of the roll are all edged with narrow black velvet ribbon.”
Bonhams 1 Jul 2015, Lot 584, a late 18th century pudding cap “of ribbed brown leather, featuring a thick padded band, with four lobed padded tabs to secure at the top, all trimmed with red braid and lined with green cotton”
Met 2009.300.1453, 1st quarter of the 19th century
Depictions of children wearing pudding caps
Family portrait by Cornelis de Vos, c. 1630-1635
De Valhoed by Jan Luyken, 1712
Three children of Barthold Hinrich Brockes by Balthasar Denner, c. 1729
Portrait of a couple of with two children, c. 1730
The Laundress by Jean Siméon Chardin, 1730s
The Four Ages of Man: Childhood by Nicolas Lancret, by 1735
Morning Coffee (Le Dejeuner) by François Boucher, 1739
The Afternoon Meal by François Boucher, 1739
Detail from The Prayer Before Meal by Jean Siméon Chardin, before 1740
The Little Schoolmistress by Jean Siméon Chardin, after 1740
Isaac Parker, his wife Justina Johanna Ramskrammer, and their son Willem Alexander by Philip van Dijk, 1742
Francina Margaretha Sichterman and Scato Gockinga and their daughter Tateke Helena by Philip van Dijk, 1745
Albertus de Jonck, his wife Maria Verpoorten, and their son Willem by Aert Schouman, 1746
The three children of B.H. Brockes by Balthasar Denner
Large family portrait, c. 1750
Child in a pudding cap by Louis Bernard Coclers
Nanny with two children
Jean-Etienne Liotard (eldest son of the artist) at age 22 months by Jean-Etienne Liotard, 1760 Portrait of a girl of the de Knyff family of Brussels The Kitchen by Willem Joseph Laquy, c. 1760-1771 The Little Princess of Braunfels by Anton Wilhelm Tischbein, c. 1765 Madame la présidente de Lamoignon and her children by Louis Carrogis Carmontelle, 1766 Johan Hendrik de Vlieger and Anna Catharina van Royen with their daughter Maria Cornelia
by Pierre Frédéric de la Croix, c. 1768 The Brothers Graf Karl Florian von Seldern and Freiherr Franz von Seldern Most types of foods and the manners of children, Anfang der Arbeit am Elementarbuche, 1774 Christian Hendrik Jacob Pielat van Bulderen in a blue dress and black feathered hat by Pierre Frédéric de LaCroix, 1776 A woman with a child on her lap, c. 1777-1779 Prince Luigi of Parma and his three oldest sisters, 1778;
also a similar portrait Two little girls with a toy by Pieter de Mare, 1779 Jeune Gouvernante d’enfant aidant à marcher un enfant, 1780 Maria Catharina Galle by C. van Druynen, 1788 Portrait of Adrianus Hartevelt, his wife Helena Johanna van Niel, and their children Abraham Cornelis, Johanna Cecilia, and Maria Cornelia, in ovals by Cornelis van Cuylenburgh, 1788 Le sabot (C'est ici les différents jeux des petits Polissons de Paris) Caroline Louise Margravine de Bade and her children by Joseph Melling Catharina Elisabeth Druy by Gijsbertus Johannus van den Berg, 1796 The family of Arend van Roggen and Johanna Hendrika Graadt by Rienk Jelgerhuis, 1798