18th Century Riding Habits
Cally Blackman, in Walking Amazons, notes that, by the mid-18th century, the riding habit “had become an essential part of the wardrobe of fashionable middle and upper class women – a position which it retained for many decades. Its development ran in tandem with that of the male suit and, whilst details of cut and trimming changed with fashion, it always retained its basic format of habit jacket, skirt and optional waistcoat. As well as for riding or following the hunt, it was particularly worn for travelling and increasingly as informal day wear; for walking, visiting and at home as an alternative to, for example, a nightgown, in which to spend the day until required to dress more formally … Enthusiastically adopted by many women, it offered a degree of comfort and warmth that was not possible to achieve with other items of fashionable dress.”
Women wearing riding habits in non-equestrian contexts are further illustrated in the portraits and other illustrations below. However, this fashion was not universally beloved by 18th century writers:
Condemns the Lady’s Hermophroditical Riding Habit … As to the Ladys Riding Habit, the Waſtecoat and Petticoat are convenient and becoming, that is, the Feminine Waſtecoat, not the Maſculine. Thaleſtris, in her Riding Habit, his hardly known from a very pretty Fellow. Saw her lately at a Gaming Table, with her Hair, in a Soldierly Manner, turned under her cockaded Hat, her Jacket reſembled a Man’s Coat, and ſhe fequently ſat Bare-headed. The Ladies muſt have odd Opinions of the Men, to think they can be moſt agreeable when they moſt reſemble the Male Sex. How would they like a young Fellow making Love to them in a Suit of Pinners, a Pair of Stays, and a Mantua? The Reaſon of Diſguſt holds good on both Sides.
Aprehends that the Maſculine Habits the Ladies affect, will give them a bold and Maſculine Behaviour. Being lately on the Road, he expected a real pretty Fellow would have been thrown off his Horſe, by one of theſe Amazons, who ſeem’d reſolved to have the Way: But Miſchief was prevented by caſting his Eye on the Petticoat.
His Friend Truelove, who was juſt on the Point of Marriage, is grown cool on the Matter, on his Miſtreſs’s aſſuming one of theſe Habits. He thinks, that when a Woman has got all but the Breeches, ſhe will ſtruggle hard for them too.
— The Gentleman’s Magazine, 1731
The Hat and Peruke, which has been some time made part of a lady's riding equipage, is such an odd kind of affectation, that I hardly know under what species to range it; it is such an enemy to female beauty, it is so foreign to every amiable grace, it adds such a masculine fierceness to the figure, and such a shameless boldness to every feature, that neither decency nor elegance can justify it.—None but Amazons ought to wear it; and, if any of the sex are now courageous enough to bid defiance to mankind, I must insist on their wearing the Breeches too, to make their disguise complete. But I am apt to believe it is made use of on quite different motives; it must certainly take place out of a more than ordinary regard to us, and must be meant as the highest compliment. Besides, it may serve to tickle the mind with pretty imaginations; sometimes supply the absence of a beau, and sometimes please with the resemblance. I never see one of these Heroines without ascribing some such cause for her gallantry; and always surmise with what readiness she would part with the appearance in exchange for the reality.
The Riding Habit simply, with the black velvet cap and white feather, is, in my opinion, the most elegant dress that belongs to the ladies' wardrobe; there is a grace and gentility in it that all other dresses want; it displays the shape and turn of the body to great advantage, and betrays a negligence that is perfectly agreeable. This fashion was certainly first invented by a woman of taste; and I am pleased to see the ladies in general so well reconciled to it. It argues something like good sense in their choice still remaining; and she who makes her whole actions most conformable to that standard, will always be most secure of conquests and reputation.
— The Weekly Register, July 10, 1731
Of the riding-habits lately become ſo common with thoſe who never ride, I ſhall only obſerve, that however befitting it may be to ladies in the character of Diana, it is ſtill a maſculine garb, and in our eyes does not add thoſe graces to the female appearance which have been by ſome ſuppoſed peculiar to it. When firſt introduced into this country, it was worn only by ladies when intending to go on horſeback, and has many conveniences for that exerciſe. To put it on, therefore, when one pays a viſit, or goes to church, is ſuch a deviation from the original deſign, that I hope the ladies will take the matter into ſerious conſideration.
— The Lady’s Magazine, 1789
Additional Resources
This site contains affiliate links for which I may be compensated
Dress diaries and blog postings:
americanduchess, brocadegoddess, costumediva, mantuadiary, nerdyhistorygirls, reine-de-coudre
“Walking Amazons: The Development of the Riding Habit in England during the Eighteenth Century” in Costume #35
Stirrups and Stays: Riding Habits in the 18th Century
Patterns of Fashion 1: Englishwomen’s dresses and their construction, 1660-1860
All Things Georgian: 18th Century Riding Habits
The Art of Dress: Clothes Through History 1500-1914
Seventeenth and Eighteenth-Century Fashion in Detail
Mill Farm 1740-1780 riding habit patterns, sizes 8-10, 12-14, or 16-18
JP Ryan’s riding habit and riding habit shirt patterns
© Victoria and Albert Museum, London
Extant 18th century riding habits and related clothing
Met 2011.72, riding jacket in silk and wool, probably French, early 18th century
John Bright Collection, riding jacket in worsted wool, trimmed with brocaded silk and silk satin, 1740s
Met 1970.161.6, a silk riding bodice, c. 1750
V&A T.197-1984, a brown worsted jacket lined with linen and silk, England, 1750s
V&A T.554-1993, a brown wool jacket with metal braid, England, 1750s
V&A T.12-1957, a blue camlet jacket lined with silk, England, 1750s
Met 1976.147.1, a brown riding coat in silk and goat hair, Britain, c. 1760
V&A T.198-1984, beige worsted riding coat in twill weave, lined with white linen, faced with pale blue silk, trimmed with pale blue satin, England, c. 1760
V&A T.57-2009, a riding habit jacket in lightweight fustian, Great Britain, c. 1760-1770
V&A 269 to B-1890, a riding habit in red wool with silver braid, c. 1770-1775
Met 1981.14.2, a riding waistcoat in silk and linen, Britain, c. 1775
Met 1976.147.2, a blue riding coat in silk and goat hair, Britain, c. 1775
National Trust 1348742, a brocaded silk jacket made for riding or travelling, c. 1775-1800
LACMA M.82.16.2a-c, riding habit in watered silk faille, Venice, c. 1780
Rijksmuseum BK-1978-250, a redingote in embroidered silk satin, c. 1785
V&A T.190-1961, red wool waistcoat lined and backed with linen, England, 1790-1795
V&A T.670-1913, riding habit jacket, 1790s
V&A T.670B-1913, a silk embroidered waistcoat, Great Britain, 1790s
Portraits of women in riding habits
Marie-Adélaïde of Savoy, Duchess of Burgundy by Pierre Gobert, 1704
Elisabeth Christine of Braunschweig-Wolfenbüttel
Henrietta Cavendish, Lady Huntingtower by Sir Godfrey Kneller, 1715
Lucy Pelham-Holles, Countess of Lincoln, by Sir Godfrey Kneller, 1722
Louise Anne de Bourbon, Mademoiselle de Charolais
Picnic After the Hunt by Nicolas Lancret, c. 1735-1740
The Hunt Breakfast by Carle Vanloo, c. 1737
Halte de chasse by Carle Vanloo, 1737
Madame Gaspard de Péleran by Jean-Etienne Liotard, 1738
The Brockman family at Beachborough by Edward Haytley, c. 1744-1746
Preparing for the Hunt by John Wootton, c. 1745
Sophie Marie Gräfin Voss by Antoine Pesne, 1746
Lady Mary Churchill at the Death of the Hare by John Wootton, 1748
A lady in a riding habit by Enoch Seeman
Portrait of a lady in a blue coat and skirt and white waistcoat with gold embroidered trim by R. Harvie, c. 1751-1763
A Lady and a Gentleman Riding Out by James Seymour
Princess Anna Amalia of Prussia
Lady Elizabeth Harcourt by Paul Sandby, c. 1759-1760
Posthumous portrait of Louise Elisabeth de France, daughter of Louis XV, by Jean-Marc Nattier, 1760
The Countess of Coningsby in the Costume of the Charlton Hunt by George Stubbs, c. 1760
Figure of a lady rider modelled by Johann Göz, c. 1760
The Pleasure of Life, c. 1760s-1780s
The Garden at Hampton House, with Mr. and Mrs. David Garrick Taking Tea by Johann Joseph Zoffany, 1763
Mrs. Epes Sargent II (Catherine Osborne) by John Singleton Copley, 1764
October, 1767
Mary, Duchess of Richmond by Joshua Reynolds, 1767
The Drummond Family by Johann Joseph Zoffany, c. 1769
The ascent to the Round Tower by Paul Sandby, c. 1770
A figure on the trade card of Benjamin Fell, tailor, who “Makes all Sorts of Riding Dreſses for Ladies, after the Neateſt Manner”
Mr. and Mrs. Thomas Coltman by Joseph Wright, c. 1770-1772
Reynard’s Last Shift, 1770s
Miss Isherwoods, the Brewer’s daughters, Windsor by Paul Sandby, c. 1770-1780
Marie Antoinette, 1771
The Female Turf Macaroni, 1771
Elizabeth Bridgman, sister of the artist by Henry Walton, c. 1771-1775
Jane, Duchess of Gordon, in green riding dress by Daniel Gardner, c. 1775
Lady Worsley by Sir Joshua Reynolds, 1776
The Elopement, or a Tripp to Scotland, 1777
La Recontreau bois de Boulogne by Moreau le Jeune
John and Sophia Musters riding at Colwick Hall by George Stubbs, 1777
The Female Fox Hunter, 1778
Frances Montresor by John Singleton Copley, 1778
Nancy Fortesque by Thomas Hudson
Coxheath ho! by James Bretherton, 1779
Jeune Dame montant à cheval; elle est habillée en homme avec un fraque à bavaroise, et une juppe, 1779
The Sharp Family by Johann Joseph Zoffany, 1779-1781
A Soft Tumble after a Hard Ride, c. 1780
A Lady in full Dreſs, and another in a Riding Habit, 1780
The Wedgwood Family by George Stubbs, 1780
A Trip to Blackheath, c. 1780
Portrait of a woman in a riding habit and broad-brimmed hat
The military Beauties, or the adventures of a Camp
The Twelve Months: June and October, c. 1781
Portrait of a lady in military costume by John Berridge, 1781
The sudden explosion in fording the brook after John Collet, 1781
Lady Gorget raising Recruits for Cox-Heath, 1781
Warley ho! by Henry William Bunbury, 1782
Marcia Pitt and her brother George Pitt, later second Baron Rivers, riding in the park at Stratfield Saye House, Hampshire by Thomas Gooch, 1782
October by Robert Dighton, 1784?
Galerie des Modes, 56e Cahier, 1ere Figure, “Vest retroußée à l’Amazone,” October 11, 1784
Galerie des Modes, 56e Cahier, 2e Figure, “Redingote with striped Sleeves and revers, buttoned in front,” 1787
A lady on horseback by Jose Campeche, 1785
June and October by Robert Dighton the elder, c. 1785
Galerie des Modes, 51e Cahier, 4e Figure, “The young and amiable Cephise dressed en Amazone and coiffed with a hat trimmed with aigrettes and panaches,” 1786
Cabinet des Modes, 19e Cahiere, 1ere Figure, “it represents a Woman dressed in a man's redingote, with three large collars falling on her shoulders,” August 15, 1786
Cabinet des Modes, 21e Cahier, 1ere Figure, “The Lady represented in the Ist PLATE is ready to ride …” September 15, 1786
Cabinet des Modes, 24e Cahier, 2e Figure, “The redigote, with two collars and sleeves à la Marinière, is of water green cloth, spotted with a darker green …” November 1, 1786
Tally Ho, c. 1786-1790
The Countess of Effingham with gun and shooting dogs by George Haugh, 1787
Portrait of a nobleman and his wife (possibly the Duke and Duchess of Marlborough) attributed to William Austin, c. 1787
Galerie des Modes, 53e Cahier, 2e Figure, “Young woman preserving herself from bad air: she is dressed in a redingote à l’Anglaise,” 1787
Galerie des Modes, 54e Cahier, 1e Figure, “Redingote of white taffeta relieved à la militaire with a simple collar …” 1787
Galerie des Modes, 56e Cahier, 3e Figure, “Morning reedingote surmounted by a wide collar,” 1787
Galerie des Modes, 56e Cahier, 4e Figure, “Redingote closed in the front to the bottom with buttons of brilliants,” 1787
Galerie des Modes, 56e Cahier, 6e Figure, “Young Lady in a Camlet Redingote: pink Taffeta Petticoat,” 1787
A Scene in Kensington Gardens, 1787
Marie Antoinette by Adolf Ulrik Wertmuller, 1788
Galerie des Modes, 61e Cahier, 3e Figure, “Young Lady in a Winter Redingote,” February 20, 1788
Galerie des Modes, 61e Cahier, 6e Figure, “Redingote à l'Amazone,” April 20, 1788
The Squire’s Door by George Morland, c. 1790
Mrs. William Moseley with her son Charles by Ralph Earl, 1791
Laetitia, Lady Lade by George Stubbs, 1793
Mrs. Stevens by Francis Wheatley, c. 1795
Of Ladies Habits in The Taylor’s Complete Guide, 1796
Miss Beloe attributed to John Dowman
Riding habits in 18th century newspaper advertisements
This assortment of advertisements show the sorts of businesses that sold riding habits to women in 18th century England and the American colonies.
Maryland Gazette
August 9, 1764
The Public Advertiser
April 6, 1765
The Virginia Gazette
November 6, 1766
The Virginia Gazette
March 12, 1767
The Virginia Gazette
May 6, 1775
The Royal Gazette (Charleston, South Carolina)
November 28, 1781
Poulson’s American Daily Advertiser
November 22, 1784
The Times
June 6, 1787