18th Century Riding Habits

Cally Blackman, in Walking Amazons, notes that, by the mid-18th century, the riding habit “had become an essential part of the wardrobe of fashionable middle and upper class women – a position which it retained for many decades. Its development ran in tandem with that of the male suit and, whilst details of cut and trimming changed with fashion, it always retained its basic format of habit jacket, skirt and optional waistcoat. As well as for riding or following the hunt, it was particularly worn for travelling and increasingly as informal day wear; for walking, visiting and at home as an alternative to, for example, a nightgown, in which to spend the day until required to dress more formally … Enthusiastically adopted by many women, it offered a degree of comfort and warmth that was not possible to achieve with other items of fashionable dress.”

Women wearing riding habits in non-equestrian contexts are further illustrated in the portraits and other illustrations below. However, this fashion was not universally beloved by 18th century writers:

Condemns the Lady’s Hermophroditical Riding Habit … As to the Ladys Riding Habit, the Waſtecoat and Petticoat are convenient and becoming, that is, the Feminine Waſtecoat, not the Maſculine. Thaleſtris, in her Riding Habit, his hardly known from a very pretty Fellow. Saw her lately at a Gaming Table, with her Hair, in a Soldierly Manner, turned under her cockaded Hat, her Jacket reſembled a Man’s Coat, and ſhe fequently ſat Bare-headed. The Ladies muſt have odd Opinions of the Men, to think they can be moſt agreeable when they moſt reſemble the Male Sex. How would they like a young Fellow making Love to them in a Suit of Pinners, a Pair of Stays, and a Mantua? The Reaſon of Diſguſt holds good on both Sides.

Aprehends that the Maſculine Habits the Ladies affect, will give them a bold and Maſculine Behaviour. Being lately on the Road, he expected a real pretty Fellow would have been thrown off his Horſe, by one of theſe Amazons, who ſeem’d reſolved to have the Way: But Miſchief was prevented by caſting his Eye on the Petticoat.

His Friend Truelove, who was juſt on the Point of Marriage, is grown cool on the Matter, on his Miſtreſs’s aſſuming one of theſe Habits. He thinks, that when a Woman has got all but the Breeches, ſhe will ſtruggle hard for them too.

The Gentleman’s Magazine, 1731

The Hat and Peruke, which has been some time made part of a lady's riding equipage, is such an odd kind of affectation, that I hardly know under what species to range it; it is such an enemy to female beauty, it is so foreign to every amiable grace, it adds such a masculine fierceness to the figure, and such a shameless boldness to every feature, that neither decency nor elegance can justify it.—None but Amazons ought to wear it; and, if any of the sex are now courageous enough to bid defiance to mankind, I must insist on their wearing the Breeches too, to make their disguise complete. But I am apt to believe it is made use of on quite different motives; it must certainly take place out of a more than ordinary regard to us, and must be meant as the highest compliment. Besides, it may serve to tickle the mind with pretty imaginations; sometimes supply the absence of a beau, and sometimes please with the resemblance. I never see one of these Heroines without ascribing some such cause for her gallantry; and always surmise with what readiness she would part with the appearance in exchange for the reality.

The Riding Habit simply, with the black velvet cap and white feather, is, in my opinion, the most elegant dress that belongs to the ladies' wardrobe; there is a grace and gentility in it that all other dresses want; it displays the shape and turn of the body to great advantage, and betrays a negligence that is perfectly agreeable. This fashion was certainly first invented by a woman of taste; and I am pleased to see the ladies in general so well reconciled to it. It argues something like good sense in their choice still remaining; and she who makes her whole actions most conformable to that standard, will always be most secure of conquests and reputation.

The Weekly Register, July 10, 1731

Of the riding-habits lately become ſo common with thoſe who never ride, I ſhall only obſerve, that however befitting it may be to ladies in the character of Diana, it is ſtill a maſculine garb, and in our eyes does not add thoſe graces to the female appearance which have been by ſome ſuppoſed peculiar to it. When firſt introduced into this country, it was worn only by ladies when intending to go on horſeback, and has many conveniences for that exerciſe. To put it on, therefore, when one pays a viſit, or goes to church, is ſuch a deviation from the original deſign, that I hope the ladies will take the matter into ſerious conſideration.

The Lady’s Magazine, 1789

© Victoria and Albert Museum, London

Extant 18th century riding habits and related clothing

Met 2011.72, riding jacket in silk and wool, probably French, early 18th century

John Bright Collection, riding jacket in worsted wool, trimmed with brocaded silk and silk satin, 1740s

Met 1970.161.6, a silk riding bodice, c. 1750

V&A T.197-1984, a brown worsted jacket lined with linen and silk, England, 1750s

V&A T.554-1993, a brown wool jacket with metal braid, England, 1750s

V&A T.12-1957, a blue camlet jacket lined with silk, England, 1750s

Met 1976.147.1, a brown riding coat in silk and goat hair, Britain, c. 1760

V&A T.198-1984, beige worsted riding coat in twill weave, lined with white linen, faced with pale blue silk, trimmed with pale blue satin, England, c. 1760

V&A T.57-2009, a riding habit jacket in lightweight fustian, Great Britain, c. 1760-1770

V&A 269 to B-1890, a riding habit in red wool with silver braid, c. 1770-1775

Met 1981.14.2, a riding waistcoat in silk and linen, Britain, c. 1775

Met 1976.147.2, a blue riding coat in silk and goat hair, Britain, c. 1775

National Trust 1348742, a brocaded silk jacket made for riding or travelling, c. 1775-1800

LACMA M.82.16.2a-c, riding habit in watered silk faille, Venice, c. 1780

Rijksmuseum BK-1978-250, a redingote in embroidered silk satin, c. 1785

V&A T.190-1961, red wool waistcoat lined and backed with linen, England, 1790-1795

V&A T.670-1913, riding habit jacket, 1790s

V&A T.670B-1913, a silk embroidered waistcoat, Great Britain, 1790s

Portraits of women in riding habits

Marie-Adélaïde of Savoy, Duchess of Burgundy by Pierre Gobert, 1704

Equestrian portrait of Marie-Louise-Elisabeth d'Orléans (The Duchess of Berry in hunting-costume in 1710)

Elisabeth Christine of Braunschweig-Wolfenbüttel

Henrietta Cavendish, Lady Huntingtower by Sir Godfrey Kneller, 1715

Lucy Pelham-Holles, Countess of Lincoln, by Sir Godfrey Kneller, 1722

Anne, Princess of Orange

Louise Anne de Bourbon, Mademoiselle de Charolais

Picnic After the Hunt by Nicolas Lancret, c. 1735-1740

The Hunt Breakfast by Carle Vanloo, c. 1737

Halte de chasse by Carle Vanloo, 1737

Madame Gaspard de Péleran by Jean-Etienne Liotard, 1738

The Trevelyan Conversation Piece: Sir John Trevelyan, 4th Bt, with his wife Louisa Simond, Lady Trevelyan, his son Sir John Trevelyan, 5th Bt, and his daughter Helena Trevelyan, c. 1740

The Brockman family at Beachborough by Edward Haytley, c. 1744-1746

Preparing for the Hunt by John Wootton, c. 1745

Sophie Marie Gräfin Voss by Antoine Pesne, 1746

Lady Mary Churchill at the Death of the Hare by John Wootton, 1748

A lady in a riding habit by Enoch Seeman

Portrait of a lady in a blue coat and skirt and white waistcoat with gold embroidered trim by R. Harvie, c. 1751-1763

Lady in a riding dress

A Lady and a Gentleman Riding Out by James Seymour

Princess Anna Amalia of Prussia

Lady Elizabeth Harcourt by Paul Sandby, c. 1759-1760

Posthumous portrait of Louise Elisabeth de France, daughter of Louis XV, by Jean-Marc Nattier, 1760

The Countess of Coningsby in the Costume of the Charlton Hunt by George Stubbs, c. 1760

Figure of a lady rider modelled by Johann Göz, c. 1760

The Pleasure of Life, c. 1760s-1780s

The Garden at Hampton House, with Mr. and Mrs. David Garrick Taking Tea by Johann Joseph Zoffany, 1763

Mrs. Epes Sargent II (Catherine Osborne) by John Singleton Copley, 1764

October, 1767

Mary, Duchess of Richmond by Joshua Reynolds, 1767

The Drummond Family by Johann Joseph Zoffany, c. 1769

The ascent to the Round Tower by Paul Sandby, c. 1770

A figure on the trade card of Benjamin Fell, tailor, who “Makes all Sorts of Riding Dreſses for Ladies, after the Neateſt Manner”

Mr. and Mrs. Thomas Coltman by Joseph Wright, c. 1770-1772

Reynard’s Last Shift, 1770s

Miss Isherwoods, the Brewer’s daughters, Windsor by Paul Sandby, c. 1770-1780

Marie Antoinette, 1771

The Female Turf Macaroni, 1771

Elizabeth Bridgman, sister of the artist by Henry Walton, c. 1771-1775

Jane, Duchess of Gordon, in green riding dress by Daniel Gardner, c. 1775

Lady Worsley by Sir Joshua Reynolds, 1776

The Elopement, or a Tripp to Scotland, 1777

La Recontreau bois de Boulogne by Moreau le Jeune

John and Sophia Musters riding at Colwick Hall by George Stubbs, 1777

The Female Fox Hunter, 1778

Frances Montresor by John Singleton Copley, 1778

Nancy Fortesque by Thomas Hudson

Coxheath ho! by James Bretherton, 1779

Jeune Dame montant à cheval; elle est habillée en homme avec un fraque à bavaroise, et une juppe, 1779

The Sharp Family by Johann Joseph Zoffany, 1779-1781

A Soft Tumble after a Hard Ride, c. 1780

A Lady in full Dreſs, and another in a Riding Habit, 1780

The Wedgwood Family by George Stubbs, 1780

A Trip to Blackheath, c. 1780

Portrait of a woman in a riding habit and broad-brimmed hat

The military Beauties, or the adventures of a Camp

The Twelve Months: June and October, c. 1781

Portrait of a lady in military costume by John Berridge, 1781

The sudden explosion in fording the brook after John Collet, 1781

Lady Gorget raising Recruits for Cox-Heath, 1781

Warley ho! by Henry William Bunbury, 1782

Marcia Pitt and her brother George Pitt, later second Baron Rivers, riding in the park at Stratfield Saye House, Hampshire by Thomas Gooch, 1782

October by Robert Dighton, 1784?

Galerie des Modes, 56e Cahier, 1ere Figure, “Vest retroußée à l’Amazone,” October 11, 1784

Galerie des Modes, 56e Cahier, 2e Figure, “Redingote with striped Sleeves and revers, buttoned in front,” 1787

A lady on horseback by Jose Campeche, 1785

June and October by Robert Dighton the elder, c. 1785

Galerie des Modes, 51e Cahier, 4e Figure, “The young and amiable Cephise dressed en Amazone and coiffed with a hat trimmed with aigrettes and panaches,” 1786

Cabinet des Modes, 19e Cahiere, 1ere Figure, “it represents a Woman dressed in a man's redingote, with three large collars falling on her shoulders,” August 15, 1786

Cabinet des Modes, 21e Cahier, 1ere Figure, “The Lady represented in the Ist PLATE is ready to ride …” September 15, 1786

Cabinet des Modes, 24e Cahier, 2e Figure, “The redigote, with two collars and sleeves à la Marinière, is of water green cloth, spotted with a darker green …” November 1, 1786

Tally Ho, c. 1786-1790

The Countess of Effingham with gun and shooting dogs by George Haugh, 1787

Portrait of a nobleman and his wife (possibly the Duke and Duchess of Marlborough) attributed to William Austin, c. 1787

Galerie des Modes, 53e Cahier, 2e Figure, “Young woman preserving herself from bad air: she is dressed in a redingote à l’Anglaise,” 1787

Galerie des Modes, 54e Cahier, 1e Figure, “Redingote of white taffeta relieved à la militaire with a simple collar …” 1787

Galerie des Modes, 56e Cahier, 3e Figure, “Morning reedingote surmounted by a wide collar,” 1787

Galerie des Modes, 56e Cahier, 4e Figure, “Redingote closed in the front to the bottom with buttons of brilliants,” 1787

Galerie des Modes, 56e Cahier, 6e Figure, “Young Lady in a Camlet Redingote: pink Taffeta Petticoat,” 1787

Veste retroussée à l'Amazone, Revers tigrés en fourures, Chapeau à la Jokei orné de guirlandes et aigretes folettes, 1787

A Scene in Kensington Gardens, 1787

Marie Antoinette by Adolf Ulrik Wertmuller, 1788

Galerie des Modes, 61e Cahier, 3e Figure, “Young Lady in a Winter Redingote,” February 20, 1788

Galerie des Modes, 61e Cahier, 6e Figure, “Redingote à l'Amazone,” April 20, 1788

The Squire’s Door by George Morland, c. 1790

Mrs. William Moseley with her son Charles by Ralph Earl, 1791

Laetitia, Lady Lade by George Stubbs, 1793

Mrs. Stevens by Francis Wheatley, c. 1795

Of Ladies Habits in The Taylor’s Complete Guide, 1796

Riding habits in 1799

Miss Beloe attributed to John Dowman

Riding habits in 18th century newspaper advertisements

This assortment of advertisements show the sorts of businesses that sold riding habits to women in 18th century England and the American colonies.

Maryland Gazette
August 9, 1764

The Public Advertiser
April 6, 1765

The Virginia Gazette
November 6, 1766

The Virginia Gazette
March 12, 1767

The Virginia Gazette
May 6, 1775

The Royal Gazette (Charleston, South Carolina)
November 28, 1781

Poulson’s American Daily Advertiser
November 22, 1784

The Times
June 6, 1787