18th Century Masks

Pages on vizards and invisories (black masks) of the 16th-17th centuries and other masks from the 12th-17th centuries are available on the old website.

H/T to Márcio and Trisha da Cunha for their suggestions on this page.

Moretta and similar full-face black masks

These black masks seem to be the descendants of the vizards and invisories of the 16th-17th centuries.

Henrietta Hobart, The Hon. Mrs Howard, later Countess of Suffolk by Thomas Gibson, c. 1720

Felicità Sartori in Turkish dress by Rosalba Carriera, c. 1740

Lady Sophia and Lady Charlotte Fermor by Thomas Bardwell

Children Playing with a Hobby Horse by Joseph Francis Nollekens, c. 1741-1747

David Garrick and Mrs. Pritchard in Benjamin Hoadley’s “The Suspicious Husband” by Francis Hayman, 1747

Madame Joseph Nicolas Pancrace Royer by Jean-Marc Nattier, c. 1750

The Ridotto in Venice by Pietro Longhi, 1750s

Il Ridotto by a follower of Pietro Longhi

Portrait of a woman with a mask, 1750s

Exhibition of a Rhinoceros at Venice by Pietro Longhi, c. 1751

The Ridotto Pubblico at Palazzo Dandolo by Francesco Guardi, c. 1765-1768

Lady Betty Bustle and her maid Lucy preparing for the masquerade at the Pantheon, 1772

Miniature portrait of a woman holding a mask to her face, late 18th century

Domino, Columbina, and similar half-face masks

Eva Maria Veigel, Mrs. David Garrick, with a mask by Johann Zoffany, mid-18th century

Arabella Astley Swimmer, Lady Vincent of Stoke D’Abernon by Anton Raphael Mengs, 1753

The Charlatan by Giandomenico Tiepolo, 1756

Unknown lady, called Baroness de Neubourg-Cromière by Alexander Roslin, 1756

Wantonness Mask’d, 1771

The Return from a Masquerade – a Morning Scene, 1784

Dressing for a Masquerade, 1790

Three women in Roman masquerade costumes by Daniël Dupré, 1790

Half-face masks with beards

Young Lady who is decked out in a large, hooded, taffeta Domino, Galerie des Modes, 22e Cahier, 2e Figure, 1779; “As it all progresses, the demi-masks, or masks with taffeta beards, were made, more convenient than the full masks for speaking, breathing, and taking refreshments; it is a mask of this type that is shown in the Print.”

Masquerade mask, 1780s

Lady dressed in a very elegant grand Domino to go to a masked Ball, Galerie des Modes, 39e Cahier (bis), 6e Figure, 1784 (?)

A Woman in Ball dress, Cabinet des Modes, 4e Cahier, 1ere Planche, 1786: “In the hand, a mask of black card, with beard of pink taffeta.”

Dressing for a Masquerade, 1790

Bauta masks

The Ridotto in Venice by Pietro Longhi, 1750s

Exhibition of a Rhinoceros at Venice by Pietro Longhi, c. 1751

Il Ridotto by a follower of Pietro Longhi

The Charlatan by Giandomenico Tiepolo, 1756

The Scent Seller by Pietro Longhi, c. 1756

Magrat the Giant by Pietro Longhi, 1760

The Visit by Pietro Longhi, 1760

The Conversation by Pietro Longhi, 1760

Maskers at the Mondo Nuovo by Giovanni Domenico Tiepolo, c. 1765

The Soho masquerade conference between the premier and his journeyman, 1770

Le Masque au Caffe, 1775

Il Nobile Veneziano, c. 1783

Stanislaus Augustus with a mask by Johann Baptist von Lampi the Elder, c. 1788-1789