18th Century Fire Screens

On this page, the primary thing I’m looking for is depictions of firescreens in 18th century domestic interior spaces — which provide a better perspective of how cheval firescreens and pole screens would have originally looked, and how they had been used in rooms (especially drawing rooms).

There are more extant examples than depictions. Several of the embroidered panels have become separated from the wooden framing over the years, like V&A T.2-1929 and Met 41.205.3c.

This page has sections for cheval firescreens and pole screens. Hand screens are discussed on another page.

Fire screens are often available through antique dealers, but the extant examples linked below are largely from museum collections.

10. Élévation d'un chassis d'écran dont la fig. 11. est le plan, A A en sont les traverses, B B les montans, & C C les piés.

Ecran. a, piece d'étoffe. b, bâti de l'écran. c, clou doré. d gland dans lequel il y a un plomb qui sert de poignée.

Cheval firescreens

Depictions in 18th century interiors:

La Toilette by François Boucher, 1742

William Brereton by Henry Walton, c. 1780

(Also, designs by Chippendale, 1762)

Extant examples:

V&A W.11-1958, c. 1700-1725

V&A W.40:1 to 2-1949, c. 1714-1718

Met 64.101.1154, c. 1730-1740

V&A W.55-1962, c. 1730-1750

Met 35.23.1, .2, c. 1736-1740

Met 1971.206.15, c. 1750-1760

V&A W.2-1933, c. 1750-1770

Colonial Williamsburg 1936-10,1, c.1755

Met 64.101.1155, c. 1755-1760

V&A 1202:1 to 3-1882, c. 1770-1790

Met 41.13a–d, c. 1770-1800

Colonial Williamsburg 1939-246, c. 1775-1800

Firescreens at Versailles, including V2024.16 (1759), OA9370 (1777-1778), V2024.48 (1779), VMB14460 (c. 1780-1785), F610C (c. 1783), GME15272 (1784), GME16833 (1787), VMB14291 (1787), VMB14307 (1787)

Met 1971.206.16, c. 1786

Pole firescreens

Depictions in 18th century interiors:

Taste in High Life (or Taste à-la-Mode) by William Hogarth, 1742

The Lady’s Last Stake by William Hogarth, 1759

George, Prince of Wales, and Frederick, later Duke of York, at Buckingham House by Johann Zoffany, 1765

Portrait with members of a family, 1770s

The Dutton Family in the Drawing Room of Sherborne Park, Gloucestershire by Johann Zoffany, c. 1772

Conjugal Peace, 1782

The Detection, 1785

The Dull Husband, 1789

Jean-François de la Marche by Henri-Pierre Danloux, 1793

(Also, designs in Genteel Household Furniture in the Present Taste, 1762)

Extant examples:

Colonial Williamsburg 1967-458, c. 1720-1740

Colonial Williamsburg 1967-441,A and Colonial Williamsburg 1967-441,B, c. 1725-1745

Colonial Williamsburg 1960-665, c. 1740

Colonial Williamsburg 1967-252, c. 1745-1765

Mount Vernon M-2469, c. 1745-1765

Colonial Williamsburg 2001-6,A, and Colonial Williamsburg 2001-6,B, c. 1750-1775

V&A W.60-1926, c. 1750-1780

Colonial Williamsburg 1954-371, c. 1755-1780

Colonial Williamsburg 2003-174, c. 1760

Winterthur 1958.1506, c. 1760-1780

Mount Vernon W-2182/A, c. 1760-1790

Met 10.125.422, c. 1760-1790

Met 64.101.1153, c. 1765

Leeds Museums and Galleries CHIPSOC.2012.1, 1765: “This pole screen is one of two supplied by Thomas Chippendale to Sir Lawrence Dundas at Aske Hall, Yorkshire, invoiced on 28 October 1765: ‘2 large Mahogany pole screens cover'd wt India pict: … £2 14s 0d'. It is very similar to another documented example supplied to Blair Castle in 1758, although that one had a panel of French tapestry. The ‘India picture' is a piece of Chinese hand painted paper glued to a canvas, backed with hessian and tacked to a wooden frame or stretcher. However, the panel has been reversed so that the front now shows a piece of early 18th century floral needlework.”

Colonial Williamsburg 1961-43, c. 1770 (minature)

MFA 35.1845, c. 1770-1790

Met 49.51a, b, 1771

Met 25.115.28, c. 1775

Hammond Harwood House F25, c. 1775-1780

Winterthur 1963.1013 A, B, c. 1775-1810

Met 1975.1.2071, last quarter of the 18th century

V&A W.51-1950, c. 1780-1790

Met 1977.425, c. 1785-1795

V&A W.15&A-1951, c. 1785-1800

V&A W.31:1 to 3-1984, 1787

Met 1986.450.1, c. 1790